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'Body Fitting Industry' images and/or videos results

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Images of 'Body Fitting Industry' found, 22

 
In one of the countless body fitting shops, a boy tends an inventory of hubcaps, reflective panels and dangling ornaments. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. Karachi, Pakistan. 2005. (photo)

UIG800127

In one of the countless body fitting shops, a boy tends an inventory of hubcaps, reflective panels and dangling ornaments. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. Karachi, Pakistan. 2005. (photo)

UIG800127

 
A man selling trinkets for cabs, in Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

UIG800143

A man selling trinkets for cabs, in Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

UIG800143

 
A driver sits with a friend in a fully furbished cab. A cubby at his side holds eight-track tapes. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

UIG800128

A driver sits with a friend in a fully furbished cab. A cubby at his side holds eight-track tapes. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

UIG800128

 
Giant heavy-lidded eyes painted on side and back panels and pastel-colored scarves fluttering from cab windows are intended to ward off the evil eye. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

UIG800135

Giant heavy-lidded eyes painted on side and back panels and pastel-colored scarves fluttering from cab windows are intended to ward off the evil eye. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

UIG800135

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800132

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800132

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800140

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800140

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800144

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800144

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800145

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800145

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800129

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800129

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800130

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800130

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800126

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800126

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800138

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800138

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800141

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800141

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800134

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800134

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800139

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800139

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800137

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800137

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800142

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800142

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800125

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800125

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800131

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800131

 
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800133

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800133

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