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Mackerel fishing methods: fortified canals for trapping fish and fishing boats encircling the fish bank - Atlantic thazard - Pilot fish - Mackerel fishing methods: walled channels and grate to catch spawning mackerel with the tide 47a, and fishermen in boats unfurling nets to encircle a school of mackered 47b. Painted mackerel, Scomberomorus regalis 48, and pilot fish. Handcolored copperplate engraving after Jacob Nilson from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

Mackerel fishing methods: fortified canals for trapping fish and fishing boats encircling the fish bank - Atlantic thazard - Pilot fish - Mackerel fishing methods: walled channels and grate to catch spawning mackerel with the tide 47a, and fishermen in boats unfurling nets to encircle a school of mackered 47b. Painted mackerel, Scomberomorus regalis 48, and pilot fish. Handcolored copperplate engraving after Jacob Nilson from Gottlieb Tobias Wilhelm's Encyclopedia of Natural History: Fish, Augsburg, 1804. Wilhelm (1758-1811) was a Bavarian clergy and naturalist known as the German Buffon.

FLO4725615

Attic, Doric and Ionic features from Greek architecture. Attic bases from the Temple of Jupiter Olympius and the Temple of Minerva Polias at Athens (1,2), Doric base (3) and Ionic base according to Vignola (4), Doric capitals from the portico of Philip in the island of Delos (5), from the Temple of Corinth (6) and Ionic capital from the Temple of Minerva Polias at Athens (7). Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Attic, Doric and Ionic features from Greek architecture. Attic bases from the Temple of Jupiter Olympius and the Temple of Minerva Polias at Athens (1,2), Doric base (3) and Ionic base according to Vignola (4), Doric capitals from the portico of Philip in the island of Delos (5), from the Temple of Corinth (6) and Ionic capital from the Temple of Minerva Polias at Athens (7). Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

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Tube eye, Stylephorus chordatus (abyssal fish) 1, painted angler fish - painted frog fish - Antennarius pictus 2, Sargassumfish - Sargasso frog - Histrio histrio 3. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Tube eye, Stylephorus chordatus (abyssal fish) 1, painted angler fish - painted frog fish - Antennarius pictus 2, Sargassumfish - Sargasso frog - Histrio histrio 3. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Comparison with microscope between the regularite of the yarn of the yarn of the araignee and the inegal weaving of the lace yarns - Observations under the microscope: the regular precision of a spider's cobweb 1, and the irregular needlework of a Belgian lacemaker 2. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Comparison with microscope between the regularite of the yarn of the yarn of the araignee and the inegal weaving of the lace yarns - Observations under the microscope: the regular precision of a spider's cobweb 1, and the irregular needlework of a Belgian lacemaker 2. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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The Appenine Colossus in the garden of the Villa di Pratolino, Florence. A colossal sculpture by Giambologna built in 1569, it shows the god Appenino resting his hand on a sea monster over a fountain. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

The Appenine Colossus in the garden of the Villa di Pratolino, Florence. A colossal sculpture by Giambologna built in 1569, it shows the god Appenino resting his hand on a sea monster over a fountain. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Shepherd of ancient Morea or Peloponnese, playing a pipe near his goats 1, and troubadour of modern Greece playing a fight-like instrument near a fountain for a pipe-smoking audience. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Shepherd of ancient Morea or Peloponnese, playing a pipe near his goats 1, and troubadour of modern Greece playing a fight-like instrument near a fountain for a pipe-smoking audience. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Tawny rajah butterfly - Charases bernardus - Charaxes bernardus (Papilio bernardus) on a camellia, Camellia japonica. Taken from Edward Donovan's “An Epitome of the Natural History of the Insects of China,”” 1798. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Tawny rajah butterfly - Charases bernardus - Charaxes bernardus (Papilio bernardus) on a camellia, Camellia japonica. Taken from Edward Donovan's “An Epitome of the Natural History of the Insects of China,”” 1798. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Mosque and temple in India, 18th century. Grand mosque with minnarets near the town of Arcot, with an Arcot Nawab's mausoleum nearby, 1 and Brihadeeswara Temple in Thanjavur (temple of Brihadesvara a Tanjore), India. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Mosque and temple in India, 18th century. Grand mosque with minnarets near the town of Arcot, with an Arcot Nawab's mausoleum nearby, 1 and Brihadeeswara Temple in Thanjavur (temple of Brihadesvara a Tanjore), India. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Chinese pangolin, Manis pentadactyla, nine-banded armadillo, Dasypus novemcinctus, armadillo species, Dasypus octodecim cinctus, Malacca hedgehog, Erinaceus malaccenaceus sis, and Malayan porcupine, Hystrix brachyura. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Chinese pangolin, Manis pentadactyla, nine-banded armadillo, Dasypus novemcinctus, armadillo species, Dasypus octodecim cinctus, Malacca hedgehog, Erinaceus malaccenaceus sis, and Malayan porcupine, Hystrix brachyura. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Horse and Couagga (or quagga), under species eteinte of zebra from South Africa - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Frederic Cuvier, Paris, France, 1816 - Horse, Equus ferus caballus, and extinct quagga, Equus quagga quagga - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Frederic Cuvier's “” Dictionary of Natural Science,”” Paris, France, 1816

Horse and Couagga (or quagga), under species eteinte of zebra from South Africa - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Frederic Cuvier, Paris, France, 1816 - Horse, Equus ferus caballus, and extinct quagga, Equus quagga quagga - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Frederic Cuvier's “” Dictionary of Natural Science,”” Paris, France, 1816

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Greek mythology: Thalie, muse of comedy, with an ivy crown and its attributes, a comic mask and a tambourine - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Thalia, Greek muse of comedy, with comedy mask and staff - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Greek mythology: Thalie, muse of comedy, with an ivy crown and its attributes, a comic mask and a tambourine - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Thalia, Greek muse of comedy, with comedy mask and staff - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Greek mythology: Alecto, Erinye or infernal goddess of anger, fighting with snakes - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Alecto, one of the Greek Enrinyes or Roman Furies, angry one, depicted with snakes - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Greek mythology: Alecto, Erinye or infernal goddess of anger, fighting with snakes - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Alecto, one of the Greek Enrinyes or Roman Furies, angry one, depicted with snakes - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Ancient mythology: Comus, god of joy and good cheer, wearing a crown of flowers, holding a torch and leaning on a staff, Paris, c 1820

Ancient mythology: Comus, god of joy and good cheer, wearing a crown of flowers, holding a torch and leaning on a staff, Paris, c 1820

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Ancient mythology: Ploutos, divinite of wealth and abundance, Fortuna, divinite of chance or luck and Harpocrates, divinite of silence - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Plutus, Fortuna and Harpocrates, Greek and Roman gods of wealth, luck, and silence - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Ancient mythology: Ploutos, divinite of wealth and abundance, Fortuna, divinite of chance or luck and Harpocrates, divinite of silence - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Plutus, Fortuna and Harpocrates, Greek and Roman gods of wealth, luck, and silence - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Woman rider or Amazone with her horse, Paris, 1803. , (engraving)

Woman rider or Amazone with her horse, Paris, 1803. , (engraving)

Baquoy, Pierre-Charles (1759-1829)

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Fashionable woman in short haircut a la Victime, Paris, 1803., (engraving)

Fashionable woman in short haircut a la Victime, Paris, 1803., (engraving)

Baquoy, Pierre-Charles (1759-1829)

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Fashionable woman in a canezou collar, Paris, 1804. , (engraving)

Fashionable woman in a canezou collar, Paris, 1804. , (engraving)

Baquoy, Pierre-Charles (1759-1829)

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Indian Cobra or Cobra has glasses. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Indian cobra, Snake Show or Cobra de capello. Naja naja (Coluber naja). Venomous hooded snake with show pattern on rear of neck. Illustration signed N (Frederick Nodder). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

Indian Cobra or Cobra has glasses. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Indian cobra, Snake Show or Cobra de capello. Naja naja (Coluber naja). Venomous hooded snake with show pattern on rear of neck. Illustration signed N (Frederick Nodder). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

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Metallic crystal trees magnified under the microscope: copper (copper) 1, lead (lead) 2, pewter (tin) 3 and zinc 4. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Metallic crystal trees magnified under the microscope: copper (copper) 1, lead (lead) 2, pewter (tin) 3 and zinc 4. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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European garden spider, diadem spider (epeire diademe), Araneus diadematus. Mass of spider eggs and young 1, and spiders spinning cobwebs and silk lines 2,3,4. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

European garden spider, diadem spider (epeire diademe), Araneus diadematus. Mass of spider eggs and young 1, and spiders spinning cobwebs and silk lines 2,3,4. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Greek mythology: Themis, goddess of justice, law and equity, holding a balance and a sword - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), taken from mythology in fabulous prints or divine figures, circa 1820 - Themis, Greek goddess of divine law and justice, with scales and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Greek mythology: Themis, goddess of justice, law and equity, holding a balance and a sword - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), taken from mythology in fabulous prints or divine figures, circa 1820 - Themis, Greek goddess of divine law and justice, with scales and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Roman mythology: Vertumne, Pomone and a river divinite - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Vertumnus, Pomona and a Greek river god, classical gods of the seasons, fruit and rivers - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: Vertumne, Pomone and a river divinite - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Vertumnus, Pomona and a Greek river god, classical gods of the seasons, fruit and rivers - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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European ajonc or spiny ajonc. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common furze, Ulex europaeus. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

European ajonc or spiny ajonc. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common furze, Ulex europaeus. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

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Lychnis cuckoo flower or carnation of the near. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Ragged robin, Lychnis flos cuculi. Handcoloured copperplate engraving from a drawing by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Lychnis cuckoo flower or carnation of the near. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Ragged robin, Lychnis flos cuculi. Handcoloured copperplate engraving from a drawing by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

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Galeopsis adorns or remarkable or has variegated flowers. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Bee nettle, Galeopsis versicolor. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Galeopsis adorns or remarkable or has variegated flowers. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Bee nettle, Galeopsis versicolor. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

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Sweet bitter or bitter sweet nightshade. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Woody nightshade, Solanum dulcamara. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Sweet bitter or bitter sweet nightshade. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Woody nightshade, Solanum dulcamara. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

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Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

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Dorine has opposite leaves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common golden saxifrage, Chryosplenium oppositifolium. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Dorine has opposite leaves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common golden saxifrage, Chryosplenium oppositifolium. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

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Lettuce from the walls. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Ivy leaved wall lettuce, Prenanthes muralis. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Lettuce from the walls. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Ivy leaved wall lettuce, Prenanthes muralis. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

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Compendial peony. Coloured copper engraving, in Botanique Medicinale (published in Berlin, Germany, 1822) by Doctor Friedrich Gottlob Haynes (1763-1832), German botanist and pharmacist. Crimson flowered peony with leaves, seeds, roots. Handcoloured copperplate engraving from Dr. Friedrich Gottlob Hayne's “” Getreue Darstellung und Beschreibung der in der Arzneykunde Gebrauchilchen Gewachse”” (Medical Botany), Berlin, 1822. Hayne (1763-1832) was a German botanist, apothecary and, from 1814, professor of pharmaceutical botany at Berlin University.

Compendial peony. Coloured copper engraving, in Botanique Medicinale (published in Berlin, Germany, 1822) by Doctor Friedrich Gottlob Haynes (1763-1832), German botanist and pharmacist. Crimson flowered peony with leaves, seeds, roots. Handcoloured copperplate engraving from Dr. Friedrich Gottlob Hayne's “” Getreue Darstellung und Beschreibung der in der Arzneykunde Gebrauchilchen Gewachse”” (Medical Botany), Berlin, 1822. Hayne (1763-1832) was a German botanist, apothecary and, from 1814, professor of pharmaceutical botany at Berlin University.

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Common fennel, plant with leaves, flowers and root. Coloured copper engraving, based on an illustration by Gotttlieb Tobias Wilhelm (1758-1811), from the encyclopedie of natural history, Vienna (Austria), 1816. Fennel plant with flower, leaves, root, Foeniculum vulgare. Handcolored copperplate engraving of a botanical illustration by J. Schaly from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Common fennel, plant with leaves, flowers and root. Coloured copper engraving, based on an illustration by Gotttlieb Tobias Wilhelm (1758-1811), from the encyclopedie of natural history, Vienna (Austria), 1816. Fennel plant with flower, leaves, root, Foeniculum vulgare. Handcolored copperplate engraving of a botanical illustration by J. Schaly from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Genet has broom and blue lupin. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Spartium scoparium, common broom (58), Lupinus varius, lupin (59). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Genet has broom and blue lupin. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Spartium scoparium, common broom (58), Lupinus varius, lupin (59). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Variete of Asclepiad and murier of China. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Milkweed, Asclepias frutescens (62), Paper Mulberry, Broussonetia papyrifera, Morus papyrifera (63). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Variete of Asclepiad and murier of China. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Milkweed, Asclepias frutescens (62), Paper Mulberry, Broussonetia papyrifera, Morus papyrifera (63). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Angelique des bois, parsnip leaf sison and flooding sison. Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Wild angelica, Angelica sylvestris, Slender honewort, Sison amomum and Least waterparsnip, Sison inundalum. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653.

Angelique des bois, parsnip leaf sison and flooding sison. Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Wild angelica, Angelica sylvestris, Slender honewort, Sison amomum and Least waterparsnip, Sison inundalum. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653.

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Butterflies: Hesperia of the quackgrass or acteon and soda plant brulee. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824 to 1839. Hesperia actaeon, Thymelicus acteon, Lulworth Skipper, and prickly glasswort, Salsola kali. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Butterflies: Hesperia of the quackgrass or acteon and soda plant brulee. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824 to 1839. Hesperia actaeon, Thymelicus acteon, Lulworth Skipper, and prickly glasswort, Salsola kali. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

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Butterfly: yellow aspilate, with caterpillar on the stem of a bulbous pasture plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Aspitates gilvaria, Straw Belle or Dover Belle moth, with bulbous meadow-grass, Poa bulbosa. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Butterfly: yellow aspilate, with caterpillar on the stem of a bulbous pasture plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Aspitates gilvaria, Straw Belle or Dover Belle moth, with bulbous meadow-grass, Poa bulbosa. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

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Insect: diptere, opetia variety with a branch of false holly fragon or spinous fragon. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Opetia lonchopteroides, Opetia nigra, Lonchoptera-like Opetia fly, with butcher's broom, Ruscus aculeatus. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Insect: diptere, opetia variety with a branch of false holly fragon or spinous fragon. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Opetia lonchopteroides, Opetia nigra, Lonchoptera-like Opetia fly, with butcher's broom, Ruscus aculeatus. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

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Martin pecheur huppe et martin pecheur aquamarine - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Malachite kingfisher, Alcedo cristata, and Cerulean kingfisulher, Alcedo coerced escens - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Martin pecheur huppe et martin pecheur aquamarine - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Malachite kingfisher, Alcedo cristata, and Cerulean kingfisulher, Alcedo coerced escens - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

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Mammiferes: Antelope Corinne and bubale (species einte) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Corine antelope, Antelope corinna, and extinct Bubal Hartebeest, Alcelaphus buselaphus buselaphus - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

Mammiferes: Antelope Corinne and bubale (species einte) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Corine antelope, Antelope corinna, and extinct Bubal Hartebeest, Alcelaphus buselaphus buselaphus - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

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Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: frame 10, screw hoop 11, truss hoop 12, screw hoop applied to a canteen 13, turning the chime 14, turning the head 15, shears 16,17 punching the hoops 18, rounding the ends 19. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: frame 10, screw hoop 11, truss hoop 12, screw hoop applied to a canteen 13, turning the chime 14, turning the head 15, shears 16,17 punching the hoops 18, rounding the ends 19. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

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Assay laboratory with various forms of furnace

Assay laboratory with various forms of furnace

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Greek mythology: Melpomene, Terpsichore and Erato muses - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Melpomene, Terpsichore and Erato, Greek muses of tragedy, dance and love poetry - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Greek mythology: Melpomene, Terpsichore and Erato muses - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Melpomene, Terpsichore and Erato, Greek muses of tragedy, dance and love poetry - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Roman mythology: Mars, god of war, with his helmet and his symbolic epee - Eau forte by Jacques Louis Constant Lacerf, from an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Mars, Roman god of war, with helmet and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: Mars, god of war, with his helmet and his symbolic epee - Eau forte by Jacques Louis Constant Lacerf, from an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Mars, Roman god of war, with helmet and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Nandou of America. Copper engraving by Frederick Polydor Nodder (1751-1801), illustration by George Shaw, based on a specimen from the Leverian Museum, for the naturalist collection, published in 1790 by George Shaw. Greater Rhea or American ostrich. Rhea americana (Struthio rhea). Large flightless bird from South America. Illustration signed S (George Shaw), drawn from a specimen in the Leverian Museum. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

Nandou of America. Copper engraving by Frederick Polydor Nodder (1751-1801), illustration by George Shaw, based on a specimen from the Leverian Museum, for the naturalist collection, published in 1790 by George Shaw. Greater Rhea or American ostrich. Rhea americana (Struthio rhea). Large flightless bird from South America. Illustration signed S (George Shaw), drawn from a specimen in the Leverian Museum. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

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Woman in a bonnet adorned with hydrangeas, Paris, 1804. , (engraving)

Woman in a bonnet adorned with hydrangeas, Paris, 1804. , (engraving)

Baquoy, Pierre-Charles (1759-1829)

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Woman in dress with Spanish darts, Paris, 1803. , (engraving)

Woman in dress with Spanish darts, Paris, 1803. , (engraving)

Baquoy, Pierre-Charles (1759-1829)

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Woman with her hair tied with a garland, Paris, 1803. , (engraving)

Woman with her hair tied with a garland, Paris, 1803. , (engraving)

Baquoy, Pierre-Charles (1759-1829)

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La Duchesse du Maine, 1818 (engraving)

La Duchesse du Maine, 1818 (engraving)

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Orange, bitter orange and sweet orange. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Oranges, Citrus aurantium, China orange, Citrus aurantium sinensis. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Orange, bitter orange and sweet orange. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Oranges, Citrus aurantium, China orange, Citrus aurantium sinensis. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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White mustard or seneve or sanve. Coloured copper engraving, in Botanique Medicinale (published in Berlin, Germany, 1822) by Doctor Friedrich Gottlob Haynes (1763-1832), German botanist and pharmacist. White mustard, Sinapis alba. Handcoloured copperplate engraving from Dr. Friedrich Gottlob Hayne's “” Getreue Darstellung und Beschreibung der in der Arzneykunde Gebrauchilchen Gewachse”” (Medical Botany), Berlin, 1822. Hayne (1763-1832) was a German botanist, apothecary and, from 1814, professor of pharmaceutical botany at Berlin University.

White mustard or seneve or sanve. Coloured copper engraving, in Botanique Medicinale (published in Berlin, Germany, 1822) by Doctor Friedrich Gottlob Haynes (1763-1832), German botanist and pharmacist. White mustard, Sinapis alba. Handcoloured copperplate engraving from Dr. Friedrich Gottlob Hayne's “” Getreue Darstellung und Beschreibung der in der Arzneykunde Gebrauchilchen Gewachse”” (Medical Botany), Berlin, 1822. Hayne (1763-1832) was a German botanist, apothecary and, from 1814, professor of pharmaceutical botany at Berlin University.

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Signs of spring: flowering and fruit on a branch (species not specified). Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Boten des Fruhlings, Blossom and fruit on a branch (unspecified plant). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Signs of spring: flowering and fruit on a branch (species not specified). Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. Boten des Fruhlings, Blossom and fruit on a branch (unspecified plant). Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Sainfoin of Italy and Sainfoin cultivates. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. English honeysuckle, cock's head, Hedysarum coronarium, and Sainfoin, Onobrychis viciifolia. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

Sainfoin of Italy and Sainfoin cultivates. Coloured copper engraving, based on an illustration by Gottlieb Tobias Wilhelm (1758-1811), in Encyclopedie d'histoire naturelle, published in Vienna (Austria), 1816. English honeysuckle, cock's head, Hedysarum coronarium, and Sainfoin, Onobrychis viciifolia. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's “” Unterhaltungen aus der Naturgeschichte”” (Encyclopedia of Natural History), Vienna, 1816. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergy and naturalist in Augsburg, where the first edition was published.

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Vegetable roots: carrot and turnip. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root vegetables, carrot Daucus carota and turnip Brassica rapa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Vegetable roots: carrot and turnip. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root vegetables, carrot Daucus carota and turnip Brassica rapa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

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Lizard agame et anolis ou anales du cap de Bonne Esperance - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Agama of Port Jackson and Anole of Cape of Good Hope - Handcoloured copperplate aving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “Dictionary of Natural Science,”” 1837

Lizard agame et anolis ou anales du cap de Bonne Esperance - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Agama of Port Jackson and Anole of Cape of Good Hope - Handcoloured copperplate aving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “Dictionary of Natural Science,”” 1837

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Variete of skunk and sea otter - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Unidentified species of skunk, Mephitis mephitis? , and sea otter of Kamchatka, Enhydra lutris, (endangered) - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

Variete of skunk and sea otter - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Unidentified species of skunk, Mephitis mephitis? , and sea otter of Kamchatka, Enhydra lutris, (endangered) - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

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Dormilon a short tail and miro ecarlate - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Short-tailed field-tyrant, Muscigralla brevicauda, and Pacific robin (Norfolk Island), Petroica multicolor - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Dormilon a short tail and miro ecarlate - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Short-tailed field-tyrant, Muscigralla brevicauda, and Pacific robin (Norfolk Island), Petroica multicolor - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

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Primate: redhead howler and white-bellied monkey - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Red howler monkey, Alouatta seniculus, and white-fronted spider monkey, Ateles belzebuth ( Endangered) - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

Primate: redhead howler and white-bellied monkey - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Red howler monkey, Alouatta seniculus, and white-fronted spider monkey, Ateles belzebuth ( Endangered) - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

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Ara tricolore et cacatoes banksien - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Extinct Cuban red macaw, Ara tricolor, and red-tailed black cockatoo, Calyptorhynchus banksii - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

Ara tricolore et cacatoes banksien - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Extinct Cuban red macaw, Ara tricolor, and red-tailed black cockatoo, Calyptorhynchus banksii - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

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Flying Phalanger or flying sugar or sugar glider (Petaurus breviceps) and grey couscous (Phalanger orientalis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Sugar glider and northern cus' - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Flying Phalanger or flying sugar or sugar glider (Petaurus breviceps) and grey couscous (Phalanger orientalis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Sugar glider and northern cus' - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

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Fruit arabette bends or arabette tourette. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tower wallcress, Arabis turrita. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Fruit arabette bends or arabette tourette. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tower wallcress, Arabis turrita. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

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