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Miss Salle, Reign of Charles XV, 1730. Marie Salle was a French ballet dancer who debuted in Paris in 1721, and enjoyed a successful career in London and Paris until her retirement in 1740. Handcoloured steel engraving by Hippolyte Pauquet after Nicolas Lancret from the Pauquet Brothers' “Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Miss Salle, Reign of Charles XV, 1730. Marie Salle was a French ballet dancer who debuted in Paris in 1721, and enjoyed a successful career in London and Paris until her retirement in 1740. Handcoloured steel engraving by Hippolyte Pauquet after Nicolas Lancret from the Pauquet Brothers' “Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686075

The ratanhia. Coloured copper engraving, in Botanique Medicinale (published in Berlin, Germany, 1822) by Doctor Friedrich Gottlob Haynes (1763-1832), German botanist and pharmacist. Ratanya or Rhatany, Krameria triandra. This root from Peru is used as an astringent and tonic in herbal medicine. Handcoloured copperplate engraving from Dr. Friedrich Gottlob Hayne's “” Getreue Darstellung und Beschreibung der in der Arzneykunde Gebrauchilchen Gewachse”” (Medical Botany), Berlin, 1822. Hayne (1763-1832) was a German botanist, apothecary and, from 1814, professor of pharmaceutical botany at Berlin University.

The ratanhia. Coloured copper engraving, in Botanique Medicinale (published in Berlin, Germany, 1822) by Doctor Friedrich Gottlob Haynes (1763-1832), German botanist and pharmacist. Ratanya or Rhatany, Krameria triandra. This root from Peru is used as an astringent and tonic in herbal medicine. Handcoloured copperplate engraving from Dr. Friedrich Gottlob Hayne's “” Getreue Darstellung und Beschreibung der in der Arzneykunde Gebrauchilchen Gewachse”” (Medical Botany), Berlin, 1822. Hayne (1763-1832) was a German botanist, apothecary and, from 1814, professor of pharmaceutical botany at Berlin University.

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Botanical: wild lettuce - Wild lettuce, Lactuca virosa. Handcoloured copperplate botanical engraving from Johannes Zorn's “Afbeelding der Artseny-Gewassen,”” Jan Christiaan Sepp, Amsterdam, 1796. Zorn first published his illustrated medical botany in Nurnberg in 1780 with 500 plates, and a Dutch edition followed in 1796 published by J.C. Sepp with an additional 100 plates. Zorn (1739-1799) was a German pharmacist and botanist who collected medical plants from all over Europe for his “Icons plantarum medicinalium”” for apothecaries and doctors.

Botanical: wild lettuce - Wild lettuce, Lactuca virosa. Handcoloured copperplate botanical engraving from Johannes Zorn's “Afbeelding der Artseny-Gewassen,”” Jan Christiaan Sepp, Amsterdam, 1796. Zorn first published his illustrated medical botany in Nurnberg in 1780 with 500 plates, and a Dutch edition followed in 1796 published by J.C. Sepp with an additional 100 plates. Zorn (1739-1799) was a German pharmacist and botanist who collected medical plants from all over Europe for his “Icons plantarum medicinalium”” for apothecaries and doctors.

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Blanche of Navarre (Blanche de Navarre or Blanche d'Evreux), queen consort of France, 1333-1398. She wears rich ceremonial cape and bodice in damask, velvet and ermine, and a coat of arms dress with the blazon of France (gold fleurs de liys on azure), Navarre (gold chains on gules) and Evreux (fleurs de liys with bendlet in silver and red). From a portrait in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Blanche of Navarre (Blanche de Navarre or Blanche d'Evreux), queen consort of France, 1333-1398. She wears rich ceremonial cape and bodice in damask, velvet and ermine, and a coat of arms dress with the blazon of France (gold fleurs de liys on azure), Navarre (gold chains on gules) and Evreux (fleurs de liys with bendlet in silver and red). From a portrait in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

FLO4673452

Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

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Military Staff and Aides-de-Camp in Queen Victoria's coronation parade

Military Staff and Aides-de-Camp in Queen Victoria's coronation parade

British School, (19th century)

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Greek and Roman gods: the Muses. Clio 1, Euterpe 2, Thalia 3, Melpomene 4, Terpsichore 5, Erato 6, Polyhymnia 7, Urania 8 and Calliope 9. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Greek and Roman gods: the Muses. Clio 1, Euterpe 2, Thalia 3, Melpomene 4, Terpsichore 5, Erato 6, Polyhymnia 7, Urania 8 and Calliope 9. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Common cuttlefish, Sepia officinalis 1,2, cuttlefish species from South Africa, Sepia tuberculata 3, Indian cuttlefish, Sepia maculata 4 and Rondelet's bobtail squid, Sepiola rondeletii 5. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Common cuttlefish, Sepia officinalis 1,2, cuttlefish species from South Africa, Sepia tuberculata 3, Indian cuttlefish, Sepia maculata 4 and Rondelet's bobtail squid, Sepiola rondeletii 5. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Costumes of Peru, 18th century: couple from Lima 1, noblewoman of Lima 2, indigenous people 3, indigenous people in their best clothes 4, and inhabitants of Quito 5. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Costumes of Peru, 18th century: couple from Lima 1, noblewoman of Lima 2, indigenous people 3, indigenous people in their best clothes 4, and inhabitants of Quito 5. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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European squid, Loligo vulgaris 1, European flying squid, Todarodes sagittatus 2, horned octopus, Eledon cirrhosa 3,4, and common octopus, Octopus vulgaris 5. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

European squid, Loligo vulgaris 1, European flying squid, Todarodes sagittatus 2, horned octopus, Eledon cirrhosa 3,4, and common octopus, Octopus vulgaris 5. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Hymenoptere: variety of bees and sprigs of plantain lanceole or grass has five seams. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Lasioglossum tricingulum, Halictus xanthopus, Long-tongued Melitta bee, Halictus xanthopus, and ribwort plantain, Plantago lanceolata. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Hymenoptere: variety of bees and sprigs of plantain lanceole or grass has five seams. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Lasioglossum tricingulum, Halictus xanthopus, Long-tongued Melitta bee, Halictus xanthopus, and ribwort plantain, Plantago lanceolata. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

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Insect: variete of coleoptere staphylinus with a fragrant fuzzy plant or fragrant quackgrass Lithograph by John Curtis (1791-1862) published in “” British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Homalota dimidiata, Hygronoma dimidiata, Ochre-banded Staphylinus beetle, with spring grass, Anthoxanthum odoratum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Insect: variete of coleoptere staphylinus with a fragrant fuzzy plant or fragrant quackgrass Lithograph by John Curtis (1791-1862) published in “” British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Homalota dimidiata, Hygronoma dimidiata, Ochre-banded Staphylinus beetle, with spring grass, Anthoxanthum odoratum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

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Fibrous roots of common senecon and large plantain (or plantain of birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Fibrous roots of common senecon and large plantain (or plantain of birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

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Insect: variete of nevroptere (ant) with short, green wings with sea rye or sand elymme. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Chrysopa abbreviata, Short-winged Green Lacewing, Golden-eye moth, and upright sea lime grass, Elymus arenarius. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Insect: variete of nevroptere (ant) with short, green wings with sea rye or sand elymme. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Chrysopa abbreviata, Short-winged Green Lacewing, Golden-eye moth, and upright sea lime grass, Elymus arenarius. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

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Roots and bulbs of onion and saxifrage, granulee or so-called bulbils. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Roots of the onion Allium cepa and meadow saxifrage Saxifraga granulata. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Roots and bulbs of onion and saxifrage, granulee or so-called bulbils. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Roots of the onion Allium cepa and meadow saxifrage Saxifraga granulata. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

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Horse and couagga (or quagga) (under species of the zebra of South Africa, species eteinte) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Horse, Equus ferus caballus, and extinct quagga, Equus quagga Quagga. Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

Horse and couagga (or quagga) (under species of the zebra of South Africa, species eteinte) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Horse, Equus ferus caballus, and extinct quagga, Equus quagga Quagga. Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

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Roman mythology: Minerva, goddess of war fury, wisdom, strategy and intelligence, with its attributes, a helmet, a pectoral and a long stick - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Minerva, Roman goddess of wisdom, war, arts and commerce, with helmet, breastplate and staff- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: Minerva, goddess of war fury, wisdom, strategy and intelligence, with its attributes, a helmet, a pectoral and a long stick - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Minerva, Roman goddess of wisdom, war, arts and commerce, with helmet, breastplate and staff- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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The Battle of Roosebeke (or Battle of Mount d'Or) (Flanders), 1382, between the arms of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and the Flemish militiamen of Philip van Artevelde (1340-1382) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissen Art (1337-1404), 1868 - The battle of Rosebecque (Roosebeke) 1382 between the royal army of King Charles VI of France and Flemish militiamen commanded by Philip Van Artevelde - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The Battle of Roosebeke (or Battle of Mount d'Or) (Flanders), 1382, between the arms of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and the Flemish militiamen of Philip van Artevelde (1340-1382) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissen Art (1337-1404), 1868 - The battle of Rosebecque (Roosebeke) 1382 between the royal army of King Charles VI of France and Flemish militiamen commanded by Philip Van Artevelde - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Valentine Visconti (1368-1408), Duchess of Orleans, leaves Paris on the rumour that she would be responsible for the madness of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422), circa 1390 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Valentina Visconti, Duchess of Orleans (1368 -1408), quitting Paris after rumours that she was responsible for King Charles VI's mental illness, c.1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Valentine Visconti (1368-1408), Duchess of Orleans, leaves Paris on the rumour that she would be responsible for the madness of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422), circa 1390 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Valentina Visconti, Duchess of Orleans (1368 -1408), quitting Paris after rumours that she was responsible for King Charles VI's mental illness, c.1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Costume of Xhosa (or amaxhosa) (South Africa), musicians in fur cloaks, a hunter in leaf loaf and a woman giving the breast to her baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Xhosa people of South Africa. Musicians in furlined capes, a warrior in grass skirt with spears, and a woman suckling a baby. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Costume of Xhosa (or amaxhosa) (South Africa), musicians in fur cloaks, a hunter in leaf loaf and a woman giving the breast to her baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Xhosa people of South Africa. Musicians in furlined capes, a warrior in grass skirt with spears, and a woman suckling a baby. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Costumes of the court of Turkey: Foreign Minister, interpret, Muslim scholar, judge and Janissary officer. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Turkey including high ranking officials: foreign minister (Reis Effendi), interpreter (dragoman), Muslim scholar (ulama), judge (cadi) and high-ranking Janissary soldiers. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Costumes of the court of Turkey: Foreign Minister, interpret, Muslim scholar, judge and Janissary officer. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Turkey including high ranking officials: foreign minister (Reis Effendi), interpreter (dragoman), Muslim scholar (ulama), judge (cadi) and high-ranking Janissary soldiers. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Indian court costumes: a rajah a horse and a nabab sitting in front of two servants. With the profile portrait of a man wearing a turban. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Indians including a rajah on horseback and a seated nabob with two servants. Physiognomy of an Indian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Indian court costumes: a rajah a horse and a nabab sitting in front of two servants. With the profile portrait of a man wearing a turban. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Indians including a rajah on horseback and a seated nabob with two servants. Physiognomy of an Indian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Costumes of the Baraabra people, Nubians of Sudan, and a man of Dongolan with a spear. Underneath, boys and girls Baraabra. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the people of Baraabra, a Nubian people of Sudan, and a man of the town of Dongola with spear. Young Barabra boys in loinclothes and girls in skirts below. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Costumes of the Baraabra people, Nubians of Sudan, and a man of Dongolan with a spear. Underneath, boys and girls Baraabra. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the people of Baraabra, a Nubian people of Sudan, and a man of the town of Dongola with spear. Young Barabra boys in loinclothes and girls in skirts below. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Dance of the Ohlone Indians, with body painted with clay and coal and feather caps, at the San Jose mission (California, USA). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Dance of the Ohlone people in feathers and bodypaint in clay, charcoal and chalk from the San Jose Mission, California. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Dance of the Ohlone Indians, with body painted with clay and coal and feather caps, at the San Jose mission (California, USA). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Dance of the Ohlone people in feathers and bodypaint in clay, charcoal and chalk from the San Jose Mission, California. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Uniform of the soldiers of Linhares (Brazil). Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Soldiers of Linhares, Brazil, in uniform: trousers, coat, hat and ocelot skin, with musket, powder horn, knife and stick. Handcoloured lithograph from Friedrich Wilhelm Goedsch's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Uniform of the soldiers of Linhares (Brazil). Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Soldiers of Linhares, Brazil, in uniform: trousers, coat, hat and ocelot skin, with musket, powder horn, knife and stick. Handcoloured lithograph from Friedrich Wilhelm Goedsch's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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A long canoe sailing through the white waters of Rio dos Ilheos (Brazil). Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Navigating the white-water rapids on the Ilheos river on a long canoe. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

A long canoe sailing through the white waters of Rio dos Ilheos (Brazil). Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Navigating the white-water rapids on the Ilheos river on a long canoe. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Doctors, vetus in the fashion of the English Regence (1811-1820), wearing wigs and redingotes, together with a nurse, consult each other in an elegant corridor, decorated with a landscape painting (Bath, England) - Eau forte by Francis Eginton (1737-1805), extracted from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - Regency doctors in wigs and frock coats consult with a nurse in an elegant corridor decorated with landscape painting - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)

Doctors, vetus in the fashion of the English Regence (1811-1820), wearing wigs and redingotes, together with a nurse, consult each other in an elegant corridor, decorated with a landscape painting (Bath, England) - Eau forte by Francis Eginton (1737-1805), extracted from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - Regency doctors in wigs and frock coats consult with a nurse in an elegant corridor decorated with landscape painting - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)

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Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

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Woman of the Moksha Mordvins people, 18th century. , 1823 (engraving)

Woman of the Moksha Mordvins people, 18th century. , 1823 (engraving)

Georgi, Johann Gottlieb (1729-1802)

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Peasant of Slovenia in summer dress, 18th century. , 1823 (engraving)

Peasant of Slovenia in summer dress, 18th century. , 1823 (engraving)

Alexander, William (1767-1816) (after)

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Judge and other high-rank legal professionals, 14th century., 1842 (engraving)

Judge and other high-rank legal professionals, 14th century., 1842 (engraving)

Strutt, Joseph (1749-1802)

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Prickly cockle - bucarde - Acanthocardia echinata (Cardium echinatum) 1, and slender sea pen - plume elegante - Virgularia mirabilis (Pennatula mirabilis) 2. Closed clam A, with foot extended B, fully open showing anatomy C. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Prickly cockle - bucarde - Acanthocardia echinata (Cardium echinatum) 1, and slender sea pen - plume elegante - Virgularia mirabilis (Pennatula mirabilis) 2. Closed clam A, with foot extended B, fully open showing anatomy C. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Vietnamese opera performance, hat tuong, circa 1792. Three female dancers dance and sing with an old actor to music from horn players and drummers. After a description by Lord Macartney, English Ambassador. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Vietnamese opera performance, hat tuong, circa 1792. Three female dancers dance and sing with an old actor to music from horn players and drummers. After a description by Lord Macartney, English Ambassador. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Russian hunting horn band. Formed by the Bohemian chamber musician J.A. Maresch for Prince Kilirovich Narishkin in 1750. It comprised 40 musicians each playing a single tone in a D major chord according to a simple rhythmic notation. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Russian hunting horn band. Formed by the Bohemian chamber musician J.A. Maresch for Prince Kilirovich Narishkin in 1750. It comprised 40 musicians each playing a single tone in a D major chord according to a simple rhythmic notation. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Beluga, European sturgeon, Siberian sturgeon and catfish - Beluga sturgeon, Huso huso, critically endangered, European sea sturgeon, Acipenser sturio, critically endangered, sterlet, Acipenser ruthenus, vulnerable, and wels catfish, Silurus glanis. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1792. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Beluga, European sturgeon, Siberian sturgeon and catfish - Beluga sturgeon, Huso huso, critically endangered, European sea sturgeon, Acipenser sturio, critically endangered, sterlet, Acipenser ruthenus, vulnerable, and wels catfish, Silurus glanis. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1792. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Comets with tails observed in the 17th century. Orbit of a comet 1, comet with tail 2, and comet with tail observed by the astronomer Johannes Hevelius at Danzig in February and March 1661 (probably Comet Ikeya Zhang) Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Comets with tails observed in the 17th century. Orbit of a comet 1, comet with tail 2, and comet with tail observed by the astronomer Johannes Hevelius at Danzig in February and March 1661 (probably Comet Ikeya Zhang) Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Kalmyk nomads preparing to migrate - dismantling ghers, loading wagons near a tomb 1, and typical gher life with women milking cow, preparing a cow hide, playing men draughts cows, men play the game of Lady). Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Kalmyk nomads preparing to migrate - dismantling ghers, loading wagons near a tomb 1, and typical gher life with women milking cow, preparing a cow hide, playing men draughts cows, men play the game of Lady). Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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False coral snake (false coral), Anilius scytale 1,2, speckled worm lizard (lezard amphisbene), Amphisbaena fuliginosa 3, and red worm lizard (lezard amphisbene blanc), Amphisbaena alba 4. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

False coral snake (false coral), Anilius scytale 1,2, speckled worm lizard (lezard amphisbene), Amphisbaena fuliginosa 3, and red worm lizard (lezard amphisbene blanc), Amphisbaena alba 4. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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A little girl holds a score to two musicians of the Middle Ages, one playing the cello, the other playing the tuba (invented in the 19th century) - Lithography based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Young girl holding up a musical score for two medieval musicians playing cello and tuba (invented in the 19th century) - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

A little girl holds a score to two musicians of the Middle Ages, one playing the cello, the other playing the tuba (invented in the 19th century) - Lithography based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Young girl holding up a musical score for two medieval musicians playing cello and tuba (invented in the 19th century) - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

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A man of the Middle Ages drives a wooden bicycle, in a pave street, in front of frightened spectators (this type of bicycle did not appear until the end of the 19th century) - Lithography based on an illustration by J.E. Rogers, from Francis Cowley Burnand's Passe temps actuels de l'Englance (1836-1917), 1873 - Medieval man riding a wooden velocipede on a cobbled street in front of startled bystanders. (This early bicycle was invented in the late 19th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

A man of the Middle Ages drives a wooden bicycle, in a pave street, in front of frightened spectators (this type of bicycle did not appear until the end of the 19th century) - Lithography based on an illustration by J.E. Rogers, from Francis Cowley Burnand's Passe temps actuels de l'Englance (1836-1917), 1873 - Medieval man riding a wooden velocipede on a cobbled street in front of startled bystanders. (This early bicycle was invented in the late 19th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

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A Middle Ages man plays billiards with a woman who lays chalk on the tail she uses (billiards was only popular in the 19th century) - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre happy, by Francis Cowley Burnand (1836-1917), 1873 - Medieval man playing a game of snooker (pool) while a woman chalks her cue and watches (Snooker was not popular until the 19th century) - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

A Middle Ages man plays billiards with a woman who lays chalk on the tail she uses (billiards was only popular in the 19th century) - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre happy, by Francis Cowley Burnand (1836-1917), 1873 - Medieval man playing a game of snooker (pool) while a woman chalks her cue and watches (Snooker was not popular until the 19th century) - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

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Military costume: a French knight, Aimery by Guillaume Berard (?) , 13th century - Aimery by Guillaume Berard, French knight, condottiere and commander of the Florentine army at the battle of Campaldino, 1289 - He wears a helmet, chainmail suit of armour, tunic with fleurs de lys on blue, cuisses and greaves, shoes and spurs - He is armed with a shield (buckler), sword and dagger called a mist His horse has a blue caparison - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Military costume: a French knight, Aimery by Guillaume Berard (?) , 13th century - Aimery by Guillaume Berard, French knight, condottiere and commander of the Florentine army at the battle of Campaldino, 1289 - He wears a helmet, chainmail suit of armour, tunic with fleurs de lys on blue, cuisses and greaves, shoes and spurs - He is armed with a shield (buckler), sword and dagger called a mist His horse has a blue caparison - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

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Costumes des hommes de la guild des artisans italiens et un notaire juridique, 14eme century - Italian guild artisans and a judicial notary, 14th century - The notary wears a brown bonnet and blue cape - The left artisan wears a scarlet cape and hood, blue doublet and stockings - The right artisan in blue bonnet and doublet, pink cape and stockings - From a manuscript in Siena Library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Costumes des hommes de la guild des artisans italiens et un notaire juridique, 14eme century - Italian guild artisans and a judicial notary, 14th century - The notary wears a brown bonnet and blue cape - The left artisan wears a scarlet cape and hood, blue doublet and stockings - The right artisan in blue bonnet and doublet, pink cape and stockings - From a manuscript in Siena Library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

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Catherine Cornaro (1454-1510), Queen of Cyprus, surrounded by Venetian ladies, kneeling in prayer, holding precious rosaries, 15th century - Catherine Cornaro, Queen of Cyprus with Venetian ladies, 15th century - She wears a crown with gemstones over a green diadem, a veil over her shoulders, corset and sleeves in gold-embroidered fabric - From a painting by Gentile Bellini in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Catherine Cornaro (1454-1510), Queen of Cyprus, surrounded by Venetian ladies, kneeling in prayer, holding precious rosaries, 15th century - Catherine Cornaro, Queen of Cyprus with Venetian ladies, 15th century - She wears a crown with gemstones over a green diadem, a veil over her shoulders, corset and sleeves in gold-embroidered fabric - From a painting by Gentile Bellini in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Princess Beatrice (Beatrix) of Este (1475-1497), Duchess of Bari then Milan (Italy), kneeling in prayer - Beatrice d'Este, duchess of Bari and later Milan, 15th century - She wears strings of pearls in her hair, and a long ponytail plaited with white and black - Her dress is in yellow fabric with blue and black stripes, decorated with ribbons - From the Pala Sforzesca altarpiece in the Pinacoteca di Brera, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Princess Beatrice (Beatrix) of Este (1475-1497), Duchess of Bari then Milan (Italy), kneeling in prayer - Beatrice d'Este, duchess of Bari and later Milan, 15th century - She wears strings of pearls in her hair, and a long ponytail plaited with white and black - Her dress is in yellow fabric with blue and black stripes, decorated with ribbons - From the Pala Sforzesca altarpiece in the Pinacoteca di Brera, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Roman mythology: Jupiter, king of the gods and god of heaven, with his attributes the eagle and lightning - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Jupiter, King of the Roman Gods, god of the sky and thunder, holding a thunderbolt, with an eagle at his feet - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: Jupiter, king of the gods and god of heaven, with his attributes the eagle and lightning - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Jupiter, King of the Roman Gods, god of the sky and thunder, holding a thunderbolt, with an eagle at his feet - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Roman mythology: Apollo, god of poesy and music, but also of war, with its attributes the lyre, a quiver and a python - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Apollo, Roman god of poetry and music, with figleaf, cape, lyre, quiver and python - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: Apollo, god of poesy and music, but also of war, with its attributes the lyre, a quiver and a python - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Apollo, Roman god of poetry and music, with figleaf, cape, lyre, quiver and python - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Greek mythology: Clio, muse of history, with its attributes, a laurel wreath, the trumpet of renown and a scroll on which are redipped the recits of the pass - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Clio, Greek muse of history, with laurel wreath, horn and scrolls - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Greek mythology: Clio, muse of history, with its attributes, a laurel wreath, the trumpet of renown and a scroll on which are redipped the recits of the pass - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Clio, Greek muse of history, with laurel wreath, horn and scrolls - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Greek mythology: Clotho, one of the three Cabinets, the spinner, wraps the thread of human life on her spindle - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Clotho, one of the Greek Fates or Moirai, spinning the thread of human life on her spindle - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Greek mythology: Clotho, one of the three Cabinets, the spinner, wraps the thread of human life on her spindle - Eau forte by Jacques Louis Constant Lacerf, after an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Clotho, one of the Greek Fates or Moirai, spinning the thread of human life on her spindle - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Costumes of nogai (Noghai or nogay) from the Caucasus (Russia): a princess on a camel, led by a man and underneath, a couple and a slave woman. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Nogai people of the Caucasus mountains: a princess mounted on a camel above, and Nogai man, woman and slave girl below. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Costumes of nogai (Noghai or nogay) from the Caucasus (Russia): a princess on a camel, led by a man and underneath, a couple and a slave woman. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Nogai people of the Caucasus mountains: a princess mounted on a camel above, and Nogai man, woman and slave girl below. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Costume d'une dame de suite d'Alienor (Eleonore) du Portugal (1434-1467) (dame d'honneur ou dame de compagnie) - Lady in Waiting to Eleanor of Portugal, Holy Roman Empress - She wears her hair tied in gold, a white blouse, blue corset and sleeves open at the shoulder, white taffeta dress, and pink cape bordered with green - From a fresco by Pinturicchio and Raphael in Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Costume d'une dame de suite d'Alienor (Eleonore) du Portugal (1434-1467) (dame d'honneur ou dame de compagnie) - Lady in Waiting to Eleanor of Portugal, Holy Roman Empress - She wears her hair tied in gold, a white blouse, blue corset and sleeves open at the shoulder, white taffeta dress, and pink cape bordered with green - From a fresco by Pinturicchio and Raphael in Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

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Group of khoikhoi (South Africa) resting around a fire near the estuary of the Orange River and a couple of gonaqua (Lithography for the book: “” Galerie complete in faithful paintings of the peoples of Africa””” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Khoikhoi in fur capes resting around a campfire near the Orange River estuary, and Gonaqua man and woman with bow and arrow, necklace, and beaded apron. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Group of khoikhoi (South Africa) resting around a fire near the estuary of the Orange River and a couple of gonaqua (Lithography for the book: “” Galerie complete in faithful paintings of the peoples of Africa””” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Khoikhoi in fur capes resting around a campfire near the Orange River estuary, and Gonaqua man and woman with bow and arrow, necklace, and beaded apron. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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A funeral ceremony for the Indians of Canada, the assembly smokes the pipe on the eve of the body wearing clothing and weapons. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Canadian Indian native funeral ceremony: mourners smoke tobacco pipes at a wake for a body bedecked with cape, hat, spear and quiver. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

A funeral ceremony for the Indians of Canada, the assembly smokes the pipe on the eve of the body wearing clothing and weapons. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Canadian Indian native funeral ceremony: mourners smoke tobacco pipes at a wake for a body bedecked with cape, hat, spear and quiver. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Roman mythology: Neptune, god of the oceans, with a crown of leaves, sitting on a trone of shell and holding his trident - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Neptune, Roman god of the sea, in wreath and cape, holding a trident, sitting on a clamshell throne - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Roman mythology: Neptune, god of the oceans, with a crown of leaves, sitting on a trone of shell and holding his trident - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Neptune, Roman god of the sea, in wreath and cape, holding a trident, sitting on a clamshell throne - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Greek mythology: Atropos, one of the three Cabinets, the relentless, who cuts with his scissors the thread of human life - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Atropos, one of the Greek Fates or Moirai, shown holding scissors to the thread of life - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Greek mythology: Atropos, one of the three Cabinets, the relentless, who cuts with his scissors the thread of human life - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Atropos, one of the Greek Fates or Moirai, shown holding scissors to the thread of life - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

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Greek mythology: the Three Graces (or Charites), Euphrosyne personifies allegress, Thalie, overabundance and Aglae, splendor - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - The three graces of Greece mythology: Thalia goddess of festivities, Euphrosyne goddess of joy, and Aglaea goddess of beauty- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “Mythology in Prints or Figures of Fabled Gods”, Chez P. Blanchard, Paris, c 1820

Greek mythology: the Three Graces (or Charites), Euphrosyne personifies allegress, Thalie, overabundance and Aglae, splendor - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - The three graces of Greece mythology: Thalia goddess of festivities, Euphrosyne goddess of joy, and Aglaea goddess of beauty- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “Mythology in Prints or Figures of Fabled Gods”, Chez P. Blanchard, Paris, c 1820

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Costumes of mandarins (civil servants) from Tonkin (Indochina, Vietnam) and below, of a man of the nobility of Malaysia and a young Malaysian woman, wearing water containers. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Mandarins (officials) from Tunkin (Tonkin, north Vietnam) and a noble and girl from Malaysia (Malaysia). Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Costumes of mandarins (civil servants) from Tonkin (Indochina, Vietnam) and below, of a man of the nobility of Malaysia and a young Malaysian woman, wearing water containers. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Mandarins (officials) from Tunkin (Tonkin, north Vietnam) and a noble and girl from Malaysia (Malaysia). Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

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Indian rhinoceros, Rhinoceros unicornis, plains zebra, Equus quagga (burchell or plains zebra), male 2, female 3, Indian porcupine (epic pork), Hystrix indica, and Sulawesi babirusa (babiroussa des celebes), Babyrousa celebensis. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1792. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Indian rhinoceros, Rhinoceros unicornis, plains zebra, Equus quagga (burchell or plains zebra), male 2, female 3, Indian porcupine (epic pork), Hystrix indica, and Sulawesi babirusa (babiroussa des celebes), Babyrousa celebensis. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1792. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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Turkish mausoleum and tomb, 18th century. A Turkish cemetery with cypress trees and mausoleums, 1 and a marble grave kept as a flower garden by mourners 2. The turban headstone signifies the deceased is a man, an urn a woman, and a rose a girl. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Turkish mausoleum and tomb, 18th century. A Turkish cemetery with cypress trees and mausoleums, 1 and a marble grave kept as a flower garden by mourners 2. The turban headstone signifies the deceased is a man, an urn a woman, and a rose a girl. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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