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Images of 'Samuel John' found, 2,187

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Suit of armour of an Italian man at arms of Count Gironi, Bologna, 1555. The suit has flexible splints at elbows, breastplate and backplate, and a flexible codpiece for comfort when seated in the saddle. Geman pennated dagger at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Suit of armour of an Italian man at arms of Count Gironi, Bologna, 1555. The suit has flexible splints at elbows, breastplate and backplate, and a flexible codpiece for comfort when seated in the saddle. Geman pennated dagger at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678253

Man at arms with a standard, 1483. The armour on the left arm has a pauldron with raised pass-guard, while the right arm has a plain pauldron and a large pointed elbow guard. The tiles are shaped differently, plate gauntlets and pointed sollerets. The inside of the shield shows the straps and the word Anime. The standard is embroidered with St. George and the Dragon with the motto of the Knights of the Garter. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Man at arms with a standard, 1483. The armour on the left arm has a pauldron with raised pass-guard, while the right arm has a plain pauldron and a large pointed elbow guard. The tiles are shaped differently, plate gauntlets and pointed sollerets. The inside of the shield shows the straps and the word Anime. The standard is embroidered with St. George and the Dragon with the motto of the Knights of the Garter. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678498

A suit of jousting armour, 1480. With grand guard to protect the breast and left shoulder, volving piece and right shoulder protector, and elbow guards or armguard, cups and pointed tuilette, pointed sollerets and plate gauntlets. In the possession of Llewelyn Meyrick bought from the Caraffa family, Naples, Italy. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

A suit of jousting armour, 1480. With grand guard to protect the breast and left shoulder, volving piece and right shoulder protector, and elbow guards or armguard, cups and pointed tuilette, pointed sollerets and plate gauntlets. In the possession of Llewelyn Meyrick bought from the Caraffa family, Naples, Italy. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678485

Knight armed for the bond, a joust where the horse's eyes were covered, 1512. Knight in visored salad helmet with ring hooked to the grand guard a la montoniere, breastplate with lance rest and drapery, lance with morne, coronel and pennant. Horse in chamfron and caparison covering the eyes. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Knight armed for the bond, a joust where the horse's eyes were covered, 1512. Knight in visored salad helmet with ring hooked to the grand guard a la montoniere, breastplate with lance rest and drapery, lance with morne, coronel and pennant. Horse in chamfron and caparison covering the eyes. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678549

Sir Oliver de Ingham, 1287-1343, English knight and soldier under King Edward II of England. Chainmail with black plate armour, brassarts, knee pads, sollerets, etc. Bassinet helmet, armorial pourpoint with scarlet cross on a gold and green field. From a sepulchral effigy in Ingham Church, Norfolk. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Sir Oliver de Ingham, 1287-1343, English knight and soldier under King Edward II of England. Chainmail with black plate armour, brassarts, knee pads, sollerets, etc. Bassinet helmet, armorial pourpoint with scarlet cross on a gold and green field. From a sepulchral effigy in Ingham Church, Norfolk. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678196

King Henry VIII of England, 1595. The king in blue steel armour edged with gold, pass-guards, gauntlets, breastplate and pauldrons with red cross, lamboys, visored helmet with plumes. Horse in manefaire, chainmail criniere, barding, caparison with Tudor roses. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

King Henry VIII of England, 1595. The king in blue steel armour edged with gold, pass-guards, gauntlets, breastplate and pauldrons with red cross, lamboys, visored helmet with plumes. Horse in manefaire, chainmail criniere, barding, caparison with Tudor roses. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678562

Sir Thomas Shernborne, English knight and chamberlain to Queen Margaret of Anjou, 1458. He wears a suit of plate armour with a distinctive plate gorget or hauus-col, pauldrons with projecting ridges, and wears the sword in front rather than at the side. He holds his armorial shield in his left hand. From a brassy effigy in Shernborne Church, Norfolk. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Sir Thomas Shernborne, English knight and chamberlain to Queen Margaret of Anjou, 1458. He wears a suit of plate armour with a distinctive plate gorget or hauus-col, pauldrons with projecting ridges, and wears the sword in front rather than at the side. He holds his armorial shield in his left hand. From a brassy effigy in Shernborne Church, Norfolk. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678436

Pre-Raphaelite Paintings: Rizpah (Ritspa, Ritspah), The Daughter of Aiah (oil on canvas)

Pre-Raphaelite Paintings: Rizpah (Ritspa, Ritspah), The Daughter of Aiah (oil on canvas)

Stanhope, John Roddam Spencer (1829-1908)

FIA5406127

Knight in armour for a joust a la haute bard, 1512. Knight in tilting helmet, breastplate with shoulder palettes, thighs, tilting lance with coronel and vamplate. Horse in barding, high barde saddle plate, chamfron, manefaire, collar of bells, poitral and armorial caparison. From a print by Hans Burgmair. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Knight in armour for a joust a la haute bard, 1512. Knight in tilting helmet, breastplate with shoulder palettes, thighs, tilting lance with coronel and vamplate. Horse in barding, high barde saddle plate, chamfron, manefaire, collar of bells, poitral and armorial caparison. From a print by Hans Burgmair. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678509

Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678379

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678450

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678481

Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs. Joan of Arc wears a man's armour, She carries a sword, lance and helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs. Joan of Arc wears a man's armour, She carries a sword, lance and helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678441

Jane Cunningham, Mrs John Greg of Belfast

Jane Cunningham, Mrs John Greg of Belfast

USB1157988

The Bishops at Glastonbury, the Procession from St John's Church to the Abbey Ruins (litho)

The Bishops at Glastonbury, the Procession from St John's Church to the Abbey Ruins (litho)

Begg, Samuel (fl.1886-1916) (after)

LIP1597780

The Palms Foretell (oil on canvas)

The Palms Foretell (oil on canvas)

Roberts, William Patrick (1895-1980)

BAG13594

The Nativity, 1504-07 (oil on panel)

The Nativity, 1504-07 (oil on panel)

Bartolomeo, Fra (Baccio della Porta) (1472-1517)

XCC2970925

A Momento of Her Majesty's Jubilee Year, 1887 (engraving)

A Momento of Her Majesty's Jubilee Year, 1887 (engraving)

English School, (19th century)

LIP1046432

Somerleyton Hall

Somerleyton Hall

Graham Salter

SLR3828437

Somerleyton Hall

Somerleyton Hall

Graham Salter

SLR3828350

Somerleyton Hall

Somerleyton Hall

Graham Salter

SLR3828450

artist sketching, Somerleyton Hall,

artist sketching, Somerleyton Hall,

Graham Salter

SLR3828472

Somerleyton Hall, Suffolk (photo)

Somerleyton Hall, Suffolk (photo)

Graham Salter

SLR3828463

Somerleyton Hall

Somerleyton Hall

Graham Salter

SLR3828451

artist sketching, Somerleyton Hall,

artist sketching, Somerleyton Hall,

Graham Salter

SLR3828425

Key to 'A Pageant of London Characters', 1911 (engraving)

Key to 'A Pageant of London Characters', 1911 (engraving)

Morrow, George (1870-1955)

LLM5228872

A Pageant of London Characters, 1911 (engraving)

A Pageant of London Characters, 1911 (engraving)

Morrow, George (1870-1955)

LLM5228877

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